May
15

Russia’s public tv, power, politics and President Putin

One of Dmitry Medvedev’s final acts as Russian President – a post from which  he formally stepped down last week – was to announce the setting up of a public television channel in Russia.

The Moscow Times said that Mr Medvedev had ‘vowed’ the proposed channel would be ‘fully independent from the state’ – but both it and RIA Novosti also noted that the Kremlin would appoint the editor-in-chief (and, presumably, retain the right to dismiss said editor).

Even with this questions over the new channel’s independence, it still marks a change in Russian media policy: perhaps not in substance – at least not yet – but in presentation at least.

Media, politics, and power have followed parallel paths in post-Soviet Russia. Searching through some old papers the other day, I came across a stark example. I found two yellowing copies of Pravda: one from the summer of 1991, the second from January 1992. One difference is easy to spot. Lenin has disappeared from the masthead. Between the publication of the two issues, the system he created had collapsed.

Vladimir Lenin's vanishing act

 

As the 1990s wore on, Russia’s brutal form of capitalism was imprinted on the press, too. Where once the price of a newspaper had been displayed on the front cover, there now appeared the phrase ‘retail price to be agreed’. Everything was up for sale; everything negotiable. Twenty years later, the phrase sums up the age almost as much as the news items from the time.

Yet this was an era when muck-racking, scandal-mongering (in the best senses of those words) reporting flourished. You could say anything in the papers. April fool stories appeared for the first time. I seem to remember, though, a sad letter to one tabloid from a provincial primary school teacher who had brought her class to Moscow to see the mammoth in the zoo – a good Soviet citizen, she had not understood that the papers could lie, especially in jest.

It was also the age when later evils began to take root. The murder in 1994 of Dmitry Kholodov, who was investigating corruption in the military, set the precedent for later killings of journalists with impunity.

The media’s role of Russia’s first post-Soviet presidential election, in 1996, saw oligarchs and the political establishment combine to ensure that the popular vote could not bring a communist comeback – as a truly free and fair poll might then have done.

The chaos of the immediate post-Soviet period - with all its highs and lows – was being brought under control. The first decade of the new century saw the oligarchs flee, become friends of the Kremlin, or, at least, keep quiet. Russia’s most influential medium, television, reflected the new reality. Independent voices were rare; dissenting ones all but absent.

The new plan to create an ‘independent’ channel is a new departure, although not perhaps for the reasons which Mr Medvedev outlined.

‘I expect the channel to be of interest, at least to those who are interested in public life, because tastes differ and everyone has various expectation of TV content. But to audience of that type, a demanding audience, this channel would be of interest, I hope,’ RIA Novosti quoted him as saying in April.

It is of significance because it shows that the recent protests prompted by dissatisfaction with Russia’s parliamentary and presidential elections have prompted some kind of response.

Vladimir Putin has returned to the Presidency at a time unlike any other in his twelve years at the top of Russian politics. Sustained mass protest, or a widely hostile press, seem distant prospects – but a return to small, symbolic demonstrations and media with the mute button on seems unlikely too.

It will now be up to Mr Putin, not his predecessor, to decide the future of the public TV project. Like previous, post-Soviet, presidential initiatives to strengthen the rule of law in Russia, or curb corruption, though, it already looks like too little, too late.

May
08

Boris- a thoroughly modern Reagan?

With Boris Johnson’s recent electoral success in London, the Daily Mail has approvingly compared him to Ronald Reagan. He did not win emphatically, but did win more convincingly among female voters. The article compared his performance with the very poor results for the Conservative Party.

But does the comparison bear scrutiny? Like Johnson, Reagan built his profile locally as Governor of California, but was still dismissed as a lightweight, almost as a joke. Reagan was light on policy, but strong on a feelgood factor, seeming likeable while having views that many would disagree with. Both are conservatives on economic issues, though Johnson tends to be more liberal socially.

Johnson and Reagan also have a certain ‘teflon’ factor. Reagan’s statement that ‘trees cause more pollution than the automobile’ led to protestors waving placards with photos of trees saying ‘stop me before I kill again’, but most Americans shrugged their shoulders. Boris’ statements about Liverpool and Portsmouth caused local anger, but seem to have done him no real harm.

But perhaps the most telling common factor was their ability to perform on television. Reagan had long experience in the cinema, Johnson has appeared in Have I got News for You and Top Gear. Both developed a persona willing to make public mistakes- but hardly ‘gaffes’ as some seem to be pretty well planned.

In a period where personality is trumping policy in the political arena, perhaps this is the only real skill you need.

Patrick Mulrenan
Course leader, MA Housing and Inclusion, Foundation Degree in Community Work

Apr
27

Estate degeneration: between decant and destruction

Patrick Mulrenan writes:

There is something poignant about the period between the decision to regenerate social housing and the new vision emerging in reality. In March 2012, Jane Lewis and Patrick Mulrenan took students from the MA Sustainable Cities and MA Housing and Inclusion on a walk around one of the most significant regeneration schemes in the country- the Heygate and Aylesbury Estates in South East London.

London Metropolitan students on the Heygate Estate

One of the sad elements is the death of the vision for the area. This estate had ambition in spades- a new life for those living in slums, a different life in urban areas. It may not have been exactly like the plans set out in 1963 (see picture at end), but it did represent a real attempt to change the way we live. Completed in 1974, the area was identified as poorly designed and failing by the mid 80s.

After a series of false starts, it is now finally coming down and being replaced by new housing.

New properties on Aylesbury Estate 2012

But of course, once large scale regeneration is finally decided, there is a real impact on those still living on the estate and in the surrounding areas. Apart from the building and disruption, there is no incentive for the landlord to invest in the structure, and the residents have to live among boarded homes of a departed community.

With a timescale of 25 years and declining public funding, this will go on beyond the careers of the politicians and builders who are realising the new vision. You have to wonder what judgements students will make of the new area in 2025?

Plans for the Elephant and Castle 1963

Patrick Mulrenan
Course leader Foundation Degree in Community Work and MA Housing and Inclusion
Jane Lewis, Course leader, MA Sustainable Cities
Faculty of Social Sciences and Humanities

Mar
16

Of cows and council housing: the strange case of Eddie Grundy and socio-tenurial polarisation

Patrick Mulrenan writes:

It doesn’t take too long. Sit and watch television and wait for council tenants and council estates to be mentioned. Maybe it will be Toy Boy, based on a Hackney estate, or Shameless in Liverpool. Or perhaps Vicky Pollard, the comedy character living on a council estate. The message is the same- if you are a tenant and live on an estate, you are feckless and possibly criminal.

Tenants on the Heygate Estate in Southwark are so sick of this they are banning filming around their homes, foregoing £60,000 annual income. It’s just not worth the negative publicity, whether from the grim Channel 4 logos or the Harry Brown film.

It’s easy to see why companies film on the Heygate- it’s close to the centre of London, it has lots of walkways, and, best of all, there are plenty of boarded flats as the estate is demolished. So plenty to look at.

What is not so obvious is why the negative image of council housing occurs on the radio. Take the ‘everyday tale of country folk’- the Archers. Based in fictional rural Borsetshire, it focuses on village life, where rumours of infidelity and foot and mouth travel faster than Nigel Pargeter falling off the roof of his mansion. But nothing seems to upset this happy rural world more than council tenants and council housing.

There’s only one council house in the village. And who lives there? The local postman? A farm worker? No of course not, it’s ‘various members of the disreputable Horrobin family’. The website cites the inhabitants as Gary Horrobin- ‘not much use around the house. Or anywhere’- and his dad. They’ve recently been joined by Tracey (‘not known for her work ethic’), who is conning her dad out of his tenancy (though for some odd reason, this was now a housing association tenancy). Lucky sons Keith and Clive have escaped- to prison.

The other story line was about the Grundy family losing their farm in 2001. They were evicted and rehoused in a ‘sink estate’ in Borcester. Things got so bad here that Joe Grundy took a hammer to his beloved ferrets ‘in one of the most harrowing episodes ever’. Luckily they escaped back to the rural life, but the memory of their short stay in social housing is enough to bring them close the tears.

Perhaps writers on the radio, TV and cinema can stop using social housing as a lazy shorthand for social problems. But it does beg the question- how did council housing become the target of comedians and drama writers, when is used to be seen as a step up and a permanent solution to housing problems?

Patrick Mulrenan
Course leader, FdA Community Work and MA Housing and Inclusion
Faculty of social sciences and humanities

Mar
08

Choice cuts: does more choice in public services make us happier?

Choice cuts: does more choice in public services make us happier?

Patrick Mulrenan writes:

On a corner of Calcutta Street, 50 metres from the Calcutta House campus entrance to Londonmet University, a branch Costa Coffee has just opened. To some at the campus, this is simply somewhere new to go at lunchtime, to others it is symbolic of the spread of the City of London into the poorer areas of Tower Hamlets. But it will certainly provide more choice of coffee. This expanded choice should make us happy- it means that we can get the hot drink that will match more closely what we really want.

Government policy in the last thirty years has promoted the idea of choice in public services to match that offered by the private sector. Under New Labour we were promised the end to ‘one size fits all’ services and to ‘bog standard comprehensives’. Choice is both good in itself and the means to an end- services will become cheaper and better as they compete for users. Ministers pointed to mediocre customer care, and to mistakes such as the building of mass council housing as examples of what happens when service users lack choice. Users have no ‘exit option’ to go elsewhere for services- and service providers know it.

There have been many criticisms of this approach. Choice is clearly not appropriate in some services- should criminals have a choice of police officer to arrest them? Private sector providers would lack the public sector ethos, and are more interested in profit than in providing a service. And the record of some private providers has been abysmal, as recently seen in Panorama’s expose of ‘care’ homes.

But another argument is that not only does choice does not work in the public sector, but it may not work in the private sector either. In ‘The Paradox of Choice’, Schwartz argues that choice does not necessarily make us happy- in fact it can make us anxious and unhappy. In one of the most quoted experiments in the book researchers set up a supermarket display with 6 types of jam, offering samples of the jam and a dollar coupon off the price of the jams. They then set up the same display with 24 types of jam. Contrary to what you might expect, the percentage of customers who took up the offer and subsequently bought jam was much higher when there was less choice (30 per cent) than when there was more choice (3 per cent). And when they did buy the jam, those offered more choice were less happy with what they had bought.

This is partly because choice can make us confused and dissatisfied. Anyone who has been to huge shopping centres with hundreds of shops can understand this. In a memorable episode of the Simpsons, Marge Simpson visits a huge shopping centre, Monstromart, which proudly advertises as a place ‘where shopping is a baffling ordeal’. If you think that you will get the goods that perfectly match your desires, you can never be satisfied.

There may be lessons for public services, where they key word is ‘personalisation’- offering people choice and individualising provision. Perhaps what people want is good local public services- not a bewildering choice of providers.

Patrick Mulrenan
Course director, FdA Community Work and MA Housing and Inclusion
Faculty of social services and humanities.

Mar
08

New dangers, new media and the future of conflict journalism

IT’S WORSE THAN BEIRUT,’ were the words I remember. They were spoken by a photographer sheltering in a doorway in Grozny in January 1995. In my mind’s eye, he looks skywards as he speaks: a gesture of despair, or an attempt to learn whether rain, snow, or shell would be next to fall from above.

A ruined building in Grozny, summer 2000

On Sunday, I was reminded of that morning in Grozny. ‘Now it was like Grozny, black stubs of trees, you couldn’t see the pavement for rubble,’ was the way Paul Conroy, the photographer working with Marie Colvin of The Sunday Times when she was killed, described his first sight of the Baba Amr district of the Syrian city of Homs for five days. Injured himself in the attack which killed Marie Colvin, he had been waiting to leave. He told the story of his escape in the Sunday Times at the weekend.

Homs compared to Grozny, which, at the time that it was being reduced to rubble, was compared to Beirut: each journalist who has reported on armed conflict, especially in civilian areas, will have his or her bank of grim memories linking them to previous generations of reporters, and the next.

Yet something is changing, and changing definitely for the worse. Paul Conroy, the Sunday Times reported in its account of his escape from Homs was ‘convinced the army targeted the media centre’. Mr Conroy, the paper adds, is ‘a former soldier in the Royal Artillery’. His military service, and experience as a photojournalist in war zones, give us every reason to trust his view that this was a deliberate attack aimed at journalists.

I covered both the wars in Chechnya, spending time there in the winters of 1994-1995, and 1999-2000. The big difference I remember from my experience as a journalist was the extent of access. In the first war, the only limit placed upon us was our own sense of safety. It was quite possible to speak both to Russian troops and Chechen fighters on the same day, provided you were willing to make the journey between their positions. In the second war, reporters were barred from the territory of Chechnya itself. It was possible, with the help of refugees from neighbouring Ingushetia, to enter the territory – but, if the Russian Army caught you, you were in trouble.

That was all, though. And it was trouble which journalists knew would end in the withdrawal of press accreditation, and a ban from Russia – in the very worst circumstances.

Now, in an increasing number of parts of the world, the dangers are different, and deadly. Take a look at the figures compiled by Reporters Without Borders, or the Committee to Protect Journalists.

Much has been said and written about the role of new media in the Arab uprisings of this year and last. Yet I would argue that the coverage of the conflict in Syria in particular shows the limits of social media’s effectiveness more than anything else. How many times have we heard ‘these pictures cannot be authenticated’? There is no doubt that we know more about what is happening in Syria than we would have done had this conflict started in a time before UGC (user-generated content) and citizen and activist journalism. But it is the work of Marie Colvin, Remi Ochlik, Paul Conroy, the BBC’s Paul Wood  and Fred Scott, and those others who have risked their lives which has really added to our understanding.

Anyone who sees social media as a substitute for conventional journalism should take note. This is not a question of ‘old fashioned’ or ‘traditional media’ against new. It is invaluable to our understanding of our world. Those who seek to kill reporters obviously understand the importance of eyewitness journalism – an importance which makes it the future, not just the past, of reporting conflict.

 

Mar
05

Grozny, 2000. What Vladimir Putin’s first election victory means today.

I have reported from Russia on every Presidential election with the exception of the two – 2004, and 2012 – when Vladimir Putin was re-elected. I have published some reflections on what this year’s poll means for Russia on the blog of the New Statesman, here.

Mar
01

A horse, a sword, but not much chivalry

THE APPEARANCE OF A HORSE DOES NOT ALWAYS MEAN THAT THE CAVALRY HAS COME TO THE RESCUE.

The news, reported in  The Daily Telegraph and many other British media outlets, that Rebecca Brooks was lent a retired police horse, is the latest detail of the scandals surrounding News International which has allowed rival news organizations to write headlines filled with barely concealed glee.

Every PR planning a launch dreams of news coverage which will have even greater impact than advertising, but it is doubtful that The Sun has benefitted from the revelations which followed the launch of its new Sunday edition.

The Sun on Sunday was published for the first time on February 26

The Independent on Sunday even claimed an exclusive as it wondered, ‘Was ’Sun on Sunday brough forward to beat revelations?’  Most pundits pronounced it more of the same. Remembering bleary-eyed nightshifts at GMTV in the 1990s, when a weak front page story in a red top tabloid was sometimes the sign of a big exclusive held back for the final edition, I shared Alastair Campbell’s tweeted suspicion that the Sun on Sunday’s first story was a phoney one.

The ordeals of News International’s top brass, past and present, have a very serious, and a sometimes silly, side. The serious side – harassment and corruption of press, police, and perhaps politics - overshadow the silly.  Some bankers are probably please that the Leveson enquiry is drawing to the press public attention and anger which might otherwise be directed at them.

Part of the reason for the downfall of the News of the World may be the effect that changing technology has had on journalism in the last two decades. On 26 January, The Guardian website reported, ‘Leveson inquiry: Facebook, Google, Popbitch executives appear’. Facebook; Google; Popbitch: three names which would have meant nothing in the 1990s, when phones were being hacked; three names without which an enquiry into the press could not be held today. So when it started to hack phones, the News of the World may have felt itself under pressure as never before from the internet: a place where stories could be broken without regulation, and read for free.

Jan
17

Exclusive: people do bad things in war

A Russian military helicopter in the North Caucasus, 2008

‘IF I HAD KNOWN YOU WOULD BE HERE, I WOULD HAVE BROUGHT THE EARS,’ he said, his face unpleasantly close to mine. I was relieved that he had not known we would meet. I did not want to see the ears, although I was willing to believe that  they existed: if not among the war trophies of this particular soldier, then among the collections of some of his comrades-in-arms.

The conversation took place when I was on a reporting trip to Chechnya in the summer of 2000. I met the soldier on a brief stop at a military base. He said that he had gathered his grisly souvenirs because, he maintained, Chechen fighters believed that, if they were killed,  God would lift them up by the ears.  Cutting off their ears would, the story went, stop their going to heaven. A horror story to shock a foreign journalist? Maybe. A bloodthirsty boast made to convince the world that he would stop at nothing to get the job done? More likely.

The soldier was involved in what were called ‘clean up operations’ – zachistki in Russian – a ghastly euphemism which described an act of killing not confined to enemy fighters, but to which civilians too fell victim. As this soldier made clear, the job did not end with death. Mutilation was still to follow.

Cleaning up is quite often what happens in the reporting of conflict. For reasons of taste, decency, dignity in death, or from a desire not to give propaganda tools to the enemy, what we as audiences see and hear of war is usually highly sanitized. This varies from country to country, and depends on the nationality of those involved. Television, bearing in mind its immediacy and impact, sometimes pulls its punches even more than other media.

Print reporters, since first they ventured to war zones, have had more freedom. Consider William Howard Russell’s description of the aftermath of the disastrous charge of the Light Brigade

It was agonizing to see the wounded men who were lying there under a broiling sun, parched with excruciating thirst, racked with fever, and agonized with pain – to behold them waving their caps faintly, or making signals towards our lines over which they could see the white flag waving

and ask if we would see a similar scene on television today.

Then consider the recent news story about the internet video which apparently showed US Marines urinating on Afghan corpses. As Robert Fisk asked in The Independent, ’if there is one game of pissing on the dead, how many others happened without pictures?’

Journalists who cover conflict are aware that their representations of war are incomplete. How could they be otherwise? But familiarity with atrocity which is not then reported creates a strange contradiction. Many journalists who have worked in a war zone will not have been surprised by the marines’ act. The surprise is that it was filmed, and distributed.

The same is true of diplomatic correspondents, and the Wikileaks cables. With some exceptions, there was little which shocked those familiar with the difference between what is said ‘off the record’, or ‘for background only’, and what is said by ambassadors in public in their host countries.

What does that say about the way that journalists serve their audiences? Perhaps if severed ears and helpless, signalling casualties were shown a little more often, voters might think a little more about what war means. During the invasion of Iraq in 2003, we saw countless shots of cruise missiles lighting up the sky as they were launched offshore; few of us saw what happened when they landed.

Conflict reporting which was only a succession of stories of severed ears would not serve audiences well, either. But last week’s video was a story because it was something we do not usually see – even if, as Robert Fisk asked, ‘how many others happened?’- and so, in a small way, reminded us that war is often not how it looks on TV.

Jan
16

The Seven Deadly Sins of Essay Writing

Patrick Mulrenan writes:

There are many guides to writing essays. All of them will tell you what to avoid, so I have summarised them into the seven deadly sins of essay writing:

One: the sin of covetousness. Many students are puzzled about academics’ obsession with plagiarism. But it remains one of the mortal sins of university life. Stealing or passing off someone else’s ideas as your own is seen as a serious offence- as serious as smuggling notes into an examination. Although you will be using the work of other people, the work must be your own. All universities will have guidance on this issue on their website- but if in doubt ask your lecturer.

Two: the sin of ignorance. One of the most common reasons for failing essays is not reading the question, and missing elements of the question out. You should sit down with no interruptions and spend at least 30 minutes reading the question carefully. Put yourself into the mindset of the person setting the question- what do they want?

Three: the sin of pride. If you don’t understand the essay question, there may be a very good reason- it might not be clear. And it’s likely that other students feel the same. So don’t be too proud to ask the person who set the question. And if you fail the essay, make sure that you get full feedback from the person who marked it. Not good for your pride, but very good for making sure you don’t make the same mistakes again

Four: the sin of omission. Don’t forget to put in an introduction and a conclusion. It’s simple- the introduction tells the reader what you are going to say, the conclusion summarises the main arguments. You should not include any new materials in the conclusion- it should be based on what you have covered in the essay. Doing an introduction and conclusion helps you check the essay makes sense- and also really helps the person reading it. As a final check, read the introduction followed by the conclusion- does it read well without the middle bit?

Five: the sin of sloth. You should never leave essay writing to the last minute. Some people produce their best work under pressure but there are several stages to the process- reading the question, doing the reading, doing an essay plan and then a rough draft. And you should take up any offers from lecturers to read draft work. Can you do this in a couple of days? Work out the stages and diarise them

Six: the sin of gluttony. If you don’t read the question or do an essay plan, you will end up consuming vast amounts of information, but not finding what you want. Always do a plan- it will guide you to the reading you need to do. In an information age, there’s unlimited information out there- you don’t need to read it all

Seven: the sin of list. OK- it’s lust, but you really need to check your spelling, as well as grammar and punctuation. Carry out a spell check- but this is not enough. If necessary, get someone else to check the essay- spotting mistakes in your own work is very difficult.

If you follow these rules, you might not get to heaven, but you will avoid the hell of handing in work again and again.

Patrick Mulrenan
Course leader MA Housing and Inclusion, Foundation Degree Community Work
P.mulrenan@londonmet.ac.uk

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